[Saxophone] Intonation
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Words: 274
Pages: 1
(approximately 235 words/page)
Pages: 1
(approximately 235 words/page)
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[Saxophone] Intonation
by Jeremy S. Brown
-Poor saxophone intonation is caused by various reasons such as improper mouthpiece or
reed, poor embouchure, or problem with allignment.
-Students should be instructed to pull their shoulders down and back to allow more air as
possible.
-For proper embouchure, the jaw should be dropped, the teeth should be in contact with
the top of the mouthpiece, and the throat should be in a "yawning" position. If possible,
use
showed first 75 words of 274 total
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showed first 75 words of 274 total
showed last 75 words of 274 total
to blend in well with his/her fellow saxophone players for tone quality and tuning. -In slow passages, alternative fingerings should be used. -Vibrato makes the tone of the saxophone more expressive. Excessive vibrato may negatively affect the tunings. Composer Timothy Broege suggests using a "fast and narrow" vibrato to make the sound clearer and with a band ensemble, this vibrato technique would blend in well with the horn and the oboe. ------------------------------------------------------------------------ **Bibliography** none
to blend in well with his/her fellow saxophone players for tone quality and tuning. -In slow passages, alternative fingerings should be used. -Vibrato makes the tone of the saxophone more expressive. Excessive vibrato may negatively affect the tunings. Composer Timothy Broege suggests using a "fast and narrow" vibrato to make the sound clearer and with a band ensemble, this vibrato technique would blend in well with the horn and the oboe. ------------------------------------------------------------------------ **Bibliography** none